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Edward Addison Favor (August 29, 1856 – January 10, 1936), who was billed as Edward M. Favor or Ed. M. Favor, was an American vaudeville comedian, singer, musical theatre performer and pioneer recording artist, who was one of the most popular stars of the late nineteenth and early twentieth centuries. ==Biography== He was born in New York, the son of Franklin Cushman Favor and his wife Lydia, née Lowe. Suggestions that the family name was originally LeFevre have been discounted.〔( Tim Gracyk, ''Edward M. Favor'', excerpted from ''Popular American Recording Pioneers: 1895-1925'', The Haworth Press, NY, 2000. ISBN 1-56024-993-5 ). Retrieved 25 May 2013〕 He began working in vaudeville as a light comedian in about 1876, and in or before 1877 married Edith Sinclair (1857-1942), who had been a successful child actress. Billed as Favor and Sinclair, the couple worked together as a duo and in musical comedies. In 1887 they appeared together as members of the Edith Sinclair Comedy Company in ''A Box of Cash'', in which he played an Irish-American character. Despite the popularity of his Irish character roles, there is no evidence that he had any Irish ancestry. In 1893 he and his wife appeared on Broadway in Edward E. Rice's long-running burlesque ''1492 Up To Date''.〔〔( Biography by Rovi at Allmusic.com ). Retrieved 25 May 2013〕〔( Library of Congress, Edward M. Favor ). Retrieved 25 May 2013〕 He made one of his first recordings in 1893, of "The Commodore Song", taken from his previous show, ''Ship Ahoy''. Among his other early successes were "Say Au Revoir, But Not Goodbye" (North American, 1894), "Daisy Bell (Bicycle Built for Two)" (Edison, 1894), and "My Best Girl's A New Yorker" (Columbia, 1895).〔 By the late 1890s, Favor had recorded for most of the major recording companies, in between his vaudeville commitments. In 1899, he was one of the first to record on the Zonophone label, and in 1900 recorded for the first time for Victor Records. He continued to appear on stage and, in 1900, was described in ''Broadway'' magazine as "one of the best light comedians on the stage" and, with his wife, as "one of the big attractions in vaudeville."〔 He continued to make successful recordings for the next decade, sung in his "Irish-American piping tenor".〔 These included comic numbers for Edison, Columbia and other companies, such as "Hamlet Was A Melancholy Dane", "Who Threw The Overalls In Mrs. Murphy's Chowder?" (1901), "On a Sunday Afternoon" (1902), "Bedelia (The Irish Coon Song Serenade)" (1903), "I Think I Hear A Woodpecker Knocking At My Family Tree", and "Pocahontas" (1906).〔〔〔(Huntington Historical Society, ''1901 – Edward M. Favor And Mrs. Murphy’s Chowder'', 2007 ). Retrieved 25 May 2013〕 He also made recordings with his wife, Steve Porter, and the American Quartet.〔 He and his wife toured in South Africa and Australia in 1906.〔 He continued to appear in shows thereafter; the ''Boston Globe'' stated that "While (and Sinclair ) were rehearsing with ''The Blue Moon'' in New York City they were appearing in one of the vaudeville houses in a sketch called 'The Maguires', which they have played at least 10,000 times." However, his career as a recording artist was in decline by 1908. He made his final recordings for Victor in 1911, and for Edison in 1914 when he recorded "On The 7:28" and "Indoor Sports".〔 Favor continued to appear in theatrical shows through the 1920s and into the early 1930s. In 1933, he appeared in the Broadway productions of ''John Ferguson'' and ''Merton of the Movies'', and in 1934 in ''America - Very Early''.〔〔 He died at the age of 79 in Brooklyn in 1936, of peritonitis.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Edward M. Favor」の詳細全文を読む スポンサード リンク
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